SCREENWRITING
PINPOINT
LOGLINE: After discovering John Mosby’s ancient, hidden treasure, two teams competing are forced to join together, after the treasure hunt turns to survival rather than a game.
My first official feature-length screenplay, Pinpoint, developed as both a script and a full production blueprint. The project spans roughly 150 pages, with the back half dedicated to in-depth production notes, totaling over 42,000 words.
SMOKE IN HER
LUNGS
LOGLINE: In 1950s New York, a talented pianist chasing a better life becomes the perfect invisible asset for a mob operation, but his secret affair with the boss’s wife ignites a chain of betrayal and murders that threatens to destroy his only way out.
Smoke In Her Lungs is my strongest work to date. It’s a grounded, noir-style story that leans into character, atmosphere, and emotion. It marks a shift from my typical action and sci-fi projects, exploring a heavier focus on romance and thematic depth.
SIGNAL
LOST
LOGLINE: After his brother is killed during a delayed police response to a bank robbery, a 911 Systems Responder begins selling minutes to criminals who discover that time, not guns, is the most valuable weapon.
Signal Lost is my current television project: a crime-driven series set within Chicago’s law enforcement world. Inspired by character descents similar to Breaking Bad, the story centers on control and timing, following a protagonist who bends the system for personal reasons while convincing himself the lives he saves justify the damage he causes.